"Habsiyyeh" is a kind of lyric poem, similar to an ode, the prevalent theme of which is "the prison" and "the prisoner". The prison, its walls and door, iron collar, chains, prisoners and the jailer as well as nostalgic feelings of the prisoner, his inner sentiments, being away from relatives, the days and nights of the prison, and freedom are all subjects of habsiyyeh.The present article tries to examine Persian and Arabic Habsiyyehs and their COMMON THEMES with respect to COMMON cultural, social and religious backgrounds.

This article titled by "Comparative study on mystical THEMES in Masnavi and Saebs' Divan" is review with detailed comparative analysis of the fiveTHEMES such as: oneness, unity, perdition, love and devotion in these two books. At beginning writer try to give a mystical definition for each theme, then, studying mentioned contents in the Masnavi and Saebs' Divan comparatively. Since the Saebs' Divan has not quoted anecdotes and THEMES are presented in the form of single bits, whileMasnavi is full story; so researcher has tried to generally accommodate the Masnavicontent without relying on anecdotes. Surly the mystic Rumi's worldview is not comparable with Saebs' worldview because Saeb is poet and Rumi is mystic. However, in poetry of Saeb can be seen wisdom and mysticism that it is undoubtedly influenced by Rumi and Hafiz. The aim of this study is to examine COMMON THEMES in the Masnavi and the Saebs' Divan.

In order to know literature history deeply and accurately and to visualize its changes and their reasons, studying comparative literature is an essential. Since through this one can discovers the roots of all influential thinking movements of a nation. Comparative literature deals with studying factors of transition of literature from one culture to another, different genres, literary concepts and issues and influence of a poet or a writer in other nations' literature. In addition to social and historical advantages, to study each of the above-mentioned branches can portray a deep understanding of national literature and clarify the history of thoughts and literary contents. An age old research in comparative literature which is known as plagiarism 'or Seraqaat' in old Islamic poetry is to compare and contrast the works of two poets or authors and find out in what aspects they have affected each other. An outstanding Arab poet who has always been the focus of attention of Persian poets and whose work is fraught with philosophical problems as well as parables is the well-known fourth century poet called Motanabbi. This paper follows the theory that Naser Khosrow who belonged to the courtiers of the time, for whom a high skill in Arab poetry was necessary, was familiar with the poetry of Motanabbi. Finally, this study reveals that some of the contents Naser Khosrow used in his poems are adaptations from Motanabbi's book of poems.

This paper attempts to extract the COMMON THEMES in Sa'di's works and Ghabusnamih of Onsor- AL- Moali. A lot of Sa'di's readers believe that many of the THEMES in Sa'di's are original. This paper tries to elaborate on this point. In this comparative study some selected THEMES of these two writers orators are contrasted and efforts are made to trace the points to their origins.

Of yore, literary works have reflected social relationship and interaction in communities. The extent of this mutual impact depends on type of works and knowledge and information of their authors. Golestan book of Saadi that is considered as an example of Persian speech art in both prose and poetry fields comprises of unique collectanea of cute implications in terms of content that resulted from taste, knowledge and experience of their owner.Given that proficiency of Saadi in Arabic language and literature, it clear that the given work to be influenced by arabic literary works and at the same time Arabic works have been affected by Iranian language and culture. Terse and highly meaningful clauses of Golestan in many cases have been adapted as proverbs, are greatly similar to Arabic Exempla. This issue has been considered by Saadi- researchers for some period of time where they have indicated it in many works especially illustrations of Golestan and Boostan. In the present essay, it has been tried to investigate many existing similarities between Arabic Exempla and contents of Golestan that have not been yet implied. Finding of such similarities and their comprehension from different artistic, lexical and semantic aspects may essentially contribute to reading and comprehension of Golestan of Saadi. In this paper, at least fifty samples of COMMON THEMES among Golestan and Arabic Exempla have been shown that they were not implied before.

Although epic isn’t the oldest narrative genre but it is the most prevailing one in the ancient time and middle ages. Epic and myth, oral or written, can be found in all cultures and sub-cultures. Myths provide the raw material for the epics and in some cultures epics are continuation of them. The world's literature is full of epic-mythical THEMES. We can see these THEMES in two prominent books of Persian and German literature, namely Nibelungenlied and Shahnameh. The COMMON subjects such as mythical heroes, supernatural animals, war, battle, revenge and the like can be seen in these works. In the present article, after presenting the backgrounds of two epics, the two super-heroes, Siegfried and Rostam, are compared and COMMON THEMES and COMMON historical and epic features in these two prominent masterpieces are entertained.

From the beginning of the creation, man seeks a way to know his creator. Appearing and development of mystical schools refers to this need. From way back, Iran has been a cradle of mysticism and culture, and the rich Persian literature has expressed ample mystical and cultural concepts. But it is necessary to review mystical doctrines to coordinate them with the ways of thinking of modern man. The teachings of Jalal al-Din Rumi have been inspiring for many thinkers throughout the world and we can see the traces of his ideas in some contemporary spiritual movements. In the present article, the attempt has been made to compare COMMON THEMES in mystical thoughts of Rumi and teachings of Osho. The results of the research show that many of teachings of Osho can be found in mysticism of Rumi, and these teachings can guide the modern man to reach to spirituality and exalted mystical state.

Al-Sahifa al-Sajjadiyya is the oldest and most reliable prayer manual of Shia. Since there are some weaknesses in the chain of documents of this book, some questions have been raised concerning the accuracy of attribution of Sahifa to Imam Sajjad, peace be upon him. There are different ways to answer these questions. The author of the present paper views it from a text analysis perspective and presents it to the Holy Quran in order to verify its reliability. He also comes up with allusions and other literary devices and exegetical points and apparent incongruency with the Holy Quran.

The influence studies are one of the branches of comparative literature researches which have managed lots of projects all around the world. By verifying the analogy and the difference between the different authors and their books, these studies provide some information about their influence over each other. We analyze, therefore, Omar Khayyam’s influence; poet of ancient Persian literature, on Christian Bobin, contemporary French writer, by studying the quatrains’ THEMES in Bobin’s translated books in Iran and we apply a comparative-analytical method. The passage of time and instability, making a profit from present and importance of happiness in our life, importance of God’s presence and nihilism constitute the most principal THEMES in Khayyam Neyshaburi’s quatrains. Christian Bobin’s familiarity with this poet and Khayyam’s influence on French author bring about Persian poet’s presence in Bobin’s books. Despite some differences between these two literary figures, there are lots of analogies concerning the appearance of these COMMON THEMES in their books. Introduction The influence studies are on one the branches of comparative literature. By verifying the analogy and the difference between the different authors and their books, these studies provide some information about their influence over each other. There are many poets and authors who influence over each other by their own writings and thinking. One of them is Christian Bobin (1951), a contemporary French author who knows the Iranian poets like Khayyam and comprehend his poems. So, we are going to study this author and poet's books to analyze the influence of Khayyam over Bobin. Therefore, we are going to use a comparative-analytical demarche to study Bobin's translated books in Iran and also the quatrains of Khayyam and we will answer these questions: 1. How do the COMMON THEMES in their books reveal Khayyam’s influence over French author? And 2. How do these COMMON THEMES are appeared in Bobin's books? In fact, the purpose of this research is the study of Khayyam’s influence over Christian Bobin. In addition, the COMMON THEMES between them reveals this influence. 2.Research Method This research is done by a comparative-analytical demarche and the theories are based on Siegbert Salomon Prawer’s comparative researches resources and some other authentic articles. Besides, we are going to use some of the Bobin’s translated books like Good for nothing as his mother, The shine of solitary, Isabel Bruges, The Golden letters, Mozart and the rain, The ruins of the sky, The Missing part, The Mad appearance, The White Lady, The Very Law, The More than alive, Jay, The Human joy. Discussion As we said before, one of the most significant factors in Bobin's reception in Iran is the presence of Khayyam's quatrains THEMES in his own books. In fact, this French author knows the Iranian poets like Mowlana and Khayyam. He affirms that he can know Iran's heart by Mowlana's poems. He is also interested in Khayyam's poems. Bobin believes that Khayyam’s poems pass through the disappointment root and talk about the life absurdity and the only important thing is the happiness and the benefit of present. Like Khayyam, Bobin believes that although the life is difficult, we must take advantages of its beauties.The instability is considered as the most principal theme in Khayyam's quatrains. (Fazeli, 1387: 78). There are lots of quatrains which transfer this concept to the readers ; the life which runs and there is no stop, human's life which is finished in the blink of an eye, the pains and the happiness which come and go, all of them show the passage of time and its instability. Besides the love, childhood and Bobin, like Khayyam, talks about this instability. In fact, he talks about the instability of time, life, human, nature, pains and the happiness. Don't forget that Bobin calls one of his books The passing life. So, we can understand the importance of the most principal theme of Khayyam's quatrains to Bobin. As the life is short, Khayyam invites the readers to take advantages of their life. He emphasizes the profit of present time. (Fazeli, 1387: 79-80) we can also find this concept in Bobin's books. By insisting on taking advantages of the present time, he considers neither the past nor the future for our life; there is just the moment of present. He reminds that the most precious factor of our life is the happiness. Besides, the death and the life after that is considered as another concept of Khayyam's quatrains. This poet never denies this phenomenon, but he can't comprehend its secrets. Bobin also believes on another world beyond this universe. But like Khayyam, he confesses that he knows nothing against the secrets of the life in his idea, it's impossible to know the verities and the secrets of the world. The nihilism is one of the most significant THEMES in Khayyam's quatrains. Being influenced by this poet, the French author considers no relation between the human and the world which is rooted of his existentialist ideas. He can't comprehend the secrets of the world nor the human and finally Bobin considered no relation between them. In fact, his characters can't find their own place in the world. It can be the result of human's limited knowledge. In addition, Khayyam doesn't deny God in his poems. He benefits of different interpretations to talk about God. (Hejazi, Balu, 1397: 41) We can also find the presence of God in majority of Bobin's books. He feels God and his presence always with him and everywhere. Conclusion In this research and by regarding Bobin's familiarity with Khayyam and his affection for his quatrain's THEMES in Bobin's books. Someone who knows Khayyam's poems, can find also his ideas and his poem's THEMES in Bobin's writings. According to our French author's familiarity with Iranian poet, the influence of Khayyam over Bobin is in attendance. The presence of the most important theme of quatrains in French author's books can be regarded as a reason to this influence. There is no difference between Bobin's look and that of Khayyam about life and both of them insist on being happy and profiting of present. In addition, both of them believe on the death and the life after that. But at the same time, they aren't able to comprehend the secrets of the life and that of the death. That's why both of them confess this inability. Besides, we can find Khayyam's nihilist look in Bobin's books. Don't forget that the presence of God is really tangible and perceptible. There is no obvious difference in the representation of these THEMES between the French author and Iranian poet and it can reinforce the influence of Iranian poet over Bobin. It's better to know that Bobin could gain an excellent reception in Iran. His books agree with Iranian’s readers literary taste and respond to their expects. So, we can consider the influence of Khayyam and the presence of quatrain's THEMES as another significant role in Bobin's reception in Iran.